Art and Imagination

This self-study course is available for enrollment at any time.For more information about course types please click here.To enroll in the self-study course please email [email protected]

Introductory Video with Angela Voss

 

 

In this course we will discover how Botticelli and Leonardo disguised symbolic meanings  within their masterpieces, meanings which can be uncovered through a knowledge of the neoplatonic philosophy and cosmology which informs them. In the 1480s Botticelli was inspired by Ficino and his circle to produce talismanic images of Sophia or divine feminine wisdom through painting mythological subjects (Luna, Minerva, Venus), with the aim of uniting reason and imagination in the alchemical journey of the soul towards fuller self- realisation. Leonardo subtlely infuses his famous ‘Last Supper’ with the symbolism of the twelve zodiac signs, thereby uniting the microscosm of this particular event involving Christ and his disciples with the universal order of the cosmos and the archetypal qualities of all humankind. We will consider the views of both art historians and esoteric writers on the question of the validity of these symbolic interpretations, and ponder on the relevance of such symbolism for viewers today.

This course will be available as a self-study course in October 2011
 
 
 
 Prerequisites:

None. This course is a prerequisite for several of our other courses. Exceptions will be made only in those cases where students can demonstrate a firm background knowledge of these concepts. If you believe this applies to you, please contact us prior to enrolment.

 
 Languages:English only. Our English language requirements do apply to this course. Please click here for details regarding language requirements.
 

 Units:

a) The power of image

b) The cosmology of the Primavera

c) Platonic eros in the Primavera and Birth of Venus

d) Leonardo’s Last Supper

 

I am currently a lecturer in Religious Studies in the School of European Culture and Languages at theUniversity of Kent,where I am the Director of the MA in the Cultural Study of Cosmology and Divination.

I completed my first degree in Combined Arts at the University of Leicester, followed by a Diploma in Early Music at the Guildhall School of Music and Drama in London. After working for several years as both a professional musician and administrator (for Anthony Rooley and the Consort of Musicke), I studied for an MA in Music Performance Studies at the City University, London. By this time I had been introduced to the writing of the Renaissance philosopher and astrologer, Marsilio Ficino, and had become immersed in the world of 15th century music and magic. I therefore decided to embark on a Ph.D. to explore the generally misunderstood astrological practice of Ficino. This was completed in 1992 as ‘Music, Astrology and Magic: the astrological music therapy of Marsilio Ficino and his role as a Renaissance Magus’.

As a practising astrologer and musician myself, I have always felt it is vital to understand the phenomenology of practice as a basis for study, and this has continued to inform my research and teaching. A highpoint of my career was the devising and making of a CD, Secrets of the Heavens, an imaginative reconstruction of Ficino’s magical Orphic Singing. The live performance in a medieval church in London, complete with the appropriate incense for each deity, was an event in which pagan and Christian spirituality merged in true Renaissance spirit and I regard it as the impetus for all my work on the relationship between the imagination and religious experience.

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