The Music of the Spheres

This four week course is an introduction to the concept of the ‘music of the spheres’, first associated with Pythagoras, who is said to have discovered the perfect mathematical ratios underlying nature and the cosmos, expressed through musical sound. Musiciansendeavoured to imitate this heavenly music through their compositions, in order to bring the human soul into alignment with the perfect harmonies of the divine realm. We will start with some basic music theory in order to understand Pythagorean principles, andthen look at the ways in which theorists and composers used these ideas in the ancient world and in the Renaissance. The 15th and 16th centuries saw a revival of art and music inspired by Pythagorean and Platonic ideas, which aimed to cultivate the symbolic andmagical properties of sound in order to achieve transformatory and healing affects, and we will end by looking at how Marsilio Ficino’s ‘natural magic’ combined astrology and music to foster harmony of mind and body.

This course will be available as a self-study course in late 2012
 
 
 
 Prerequisites:

None. This course is a prerequisite for several of our other courses. Exceptions will be made only in those cases where students can demonstrate a firm background knowledge of these concepts. If you believe this applies to you, please contact us prior to enrolment.

 
 Languages:English only. Our English language requirements do apply to this course. Please click here for details regarding language requirements.
 

 Units:

a) Pythagoras and music

b) Musica mundana : music and cosmos

c) Renaissance harmonia

d) Ficino’s astrological music

 

I am currently a lecturer in Religious Studies in the School of European Culture and Languages at theUniversity of Kent,where I am the Director of the MA in the Cultural Study of Cosmology and Divination.

I completed my first degree in Combined Arts at the University of Leicester, followed by a Diploma in Early Music at the Guildhall School of Music and Drama in London. After working for several years as both a professional musician and administrator (for Anthony Rooley and the Consort of Musicke), I studied for an MA in Music Performance Studies at the City University, London. By this time I had been introduced to the writing of the Renaissance philosopher and astrologer, Marsilio Ficino, and had become immersed in the world of 15th century music and magic. I therefore decided to embark on a Ph.D. to explore the generally misunderstood astrological practice of Ficino. This was completed in 1992 as ‘Music, Astrology and Magic: the astrological music therapy of Marsilio Ficino and his role as a Renaissance Magus’.

As a practising astrologer and musician myself, I have always felt it is vital to understand the phenomenology of practice as a basis for study, and this has continued to inform my research and teaching. A highpoint of my career was the devising and making of a CD, Secrets of the Heavens, an imaginative reconstruction of Ficino’s magical Orphic Singing. The live performance in a medieval church in London, complete with the appropriate incense for each deity, was an event in which pagan and Christian spirituality merged in true Renaissance spirit and I regard it as the impetus for all my work on the relationship between the imagination and religious experience.

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