Knowledge of Divine Things

This self-study course is available for enrollment at any time.For more information about course types please click here.To enroll in the self-study course please email [email protected]

Introductory Video with Angela Voss

 

 

This four week course will address the theme of the imagination as a path of knowledge,and how we might engage with it in our study of esoteric texts and images. We will begin by contrasting ancient and modern understandings of ‘cosmos’ in order to understand the nature of the ‘archetypal’ or symbolic image, and consider in some detail the function of symbol and metaphor in ‘awakening’ the soul to deeper levels of perception. Central to this is the work of Henry Corbin, and we will examine his writing on the visionary imagination and the ‘medial’ world of the mundus imaginalis. Finally we will explore the fourfold hermeneutic of neoplatonism and early Christianity which locates the symbolic in between allegorical and mystical modes of knowledge as a necessary stage in the attainment of gnosis or full knowledge of the divine.

This course will be available as a self-study course in October 2011
 
 
 
 Prerequisites:

None. This course is a prerequisite for several of our other courses. Exceptions will be made only in those cases where students can demonstrate a firm background knowledge of these concepts. If you believe this applies to you, please contact us prior to enrolment.

 
 Languages:English only. Our English language requirements do apply to this course. Please click here for details regarding language requirements.
 

 Units:

a) What is archetypal cosmology?

b) On symbols and symbolising

c) The mundus imaginalis of Henry Corbin

d) The four senses of interpretation

 

I am currently a lecturer in Religious Studies in the School of European Culture and Languages at theUniversity of Kent,where I am the Director of the MA in the Cultural Study of Cosmology and Divination.

I completed my first degree in Combined Arts at the University of Leicester, followed by a Diploma in Early Music at the Guildhall School of Music and Drama in London. After working for several years as both a professional musician and administrator (for Anthony Rooley and the Consort of Musicke), I studied for an MA in Music Performance Studies at the City University, London. By this time I had been introduced to the writing of the Renaissance philosopher and astrologer, Marsilio Ficino, and had become immersed in the world of 15th century music and magic. I therefore decided to embark on a Ph.D. to explore the generally misunderstood astrological practice of Ficino. This was completed in 1992 as ‘Music, Astrology and Magic: the astrological music therapy of Marsilio Ficino and his role as a Renaissance Magus’.

As a practising astrologer and musician myself, I have always felt it is vital to understand the phenomenology of practice as a basis for study, and this has continued to inform my research and teaching. A highpoint of my career was the devising and making of a CD, Secrets of the Heavens, an imaginative reconstruction of Ficino’s magical Orphic Singing. The live performance in a medieval church in London, complete with the appropriate incense for each deity, was an event in which pagan and Christian spirituality merged in true Renaissance spirit and I regard it as the impetus for all my work on the relationship between the imagination and religious experience.

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